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Cut first, synchronize audio after editing:

  1. Organize the audio and video clips for your dailies/rushes into bins that represent each scene or day.
  2. Edit the program using the already-captured camera audio.
  3. Send the edited sequence, along with the dailies bins, to Sync-N-Link.
  4. Create updated sequence with polyphonic audio tracks in Sync-N-Link and send it back to Final Cut Pro.
    Polyphonic audio tracks will contain all volume and filter settings applied to the camera audio during editorial.
  5. Continue audio post with polyphonic audio files.

Note: In this workflow, the camera audio (and any temp audio) is retained but moved to lower (higher numbered) audio tracks, so that the integrity of the replace can be checked.



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