Reactions to the preview:

"Very Impressive. I think you should call it Matchback Magic! Seriously, you're really going to save some people's lives with that."
Michael Wohl

"Official verdict was 'looks extremely useful'"
Piers Goodhew

"Anything that can prevent an over-eager (or under-informed) assistant from knee-capping the workflow is a HUGE boon to workflow efficiency!"
Bruce Nazarian

Satisfaction Guaranteed

Matchback Magic will save you time and effort by:

Matchback Magic injects essential metadata into the media files and extracts it after editorial. There is no reliance on Final Cut Pro’s own media management. Regardless of what editorial does, you will always be able to conform back to the original media files (high quality or separate audio and video files, or both).

Perfect for when you created self-contained merged clips from double system source

OR

Perfect for proxy workflows, where proxy media is used for editorial. For example, ProRes or ProRes (Proxy) files for editorial instead of native R3D QuickTime files.

Learn how it works

 

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