Learn how it works

Watch the 10 minute demo
from Editors' Lounge in Burbank

Try it with your workflow:
download a demo version
(limited number of clips)

Read the Documentation

Ask us a question

OS X 10.11 El Capitan or 10.10 Yosemite or 10.9 Mavericks or 10.8 Mountain Lion or 10.7 Lion or 10.6 Snow Leopard

Buy it now - instant download

Volume discounts are available

Cut first, synchronize audio after editing:

Take a Sequence edited with camera audio to Sync-N-Link and the camera audio will be replaced with the full polyphonic audio tracks.

Organize the audio and video clips for your dailies/rushes into bins that represent each scene or day.
Edit the program using the already-captured camera audio.
Send the edited sequence, along with the dailies bins, to Sync-N-Link.
Create updated sequence with polyphonic audio tracks in Sync-N-Link and send it back to Final Cut Pro.
Polyphonic audio tracks will contain all volume and filter settings applied to the camera audio during editorial.
Continue audio post with polyphonic audio files.

Note: In this workflow, the camera audio (and any temp audio) is retained but moved to lower (higher numbered) audio tracks, so that the integrity of the replace can be checked.